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Parting shot / Steve Khan, guit.
Musique audio
Edité par ESC Records , 2011
Il est de retour sur le label ESC avec ses anciens et fidèles compagnons de route des années 80 : Anthony Jackson, Dennis Chambers et Manolo Badrena, aux côtés du tandem énorme de percussionistes latins formé de Marc Quinones et Bobby Allende. Ensemble ils réalisent sept compositions de Steve, et trois reprises : Bye-ya de Thelonious Monk, ainsi que Chronologie et Blues connotation d'Ornette Coleman. Enregistré en Novembre 2010, c'est peut-être l'un des premiers enregistrements de jazz-latino dirigé par un guitariste depuis des décennies. Après Folon et pour la première fois, la pochette est signée de l'autre artiste français préféré de Steve, Michel Granger.
- Type de document
- Disque compact
- Description physique
- 1 disque(s) compact(s); 12 cm
- Date de publication
- 2011
- Auteurs
- Khan, Steve. Interprète
- Chambers, Dennis. Interprète
Badrena, Manolo. Interprète
Allende, Bobby. Interprète
Quinones, Marc. Interprète
- Cote
- 1 KHA 70
- Fonds
- Adulte
- Classification
- Jazz
- Genre musical
- Jazz métissé Jazz rock
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Musique audio - 2011 - Parting shot / Steve Khan, guit.
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Biographie

Steve Khan (born April 28, 1947) is an American jazz guitarist. He is known for his work with artists such as Steely Dan, Billy Joel, Michael Franks, Hubert Laws, Billy Cobham, Jack DeJohnette, James Brown, Maynard Ferguson, and Weather Report. A native of Los Angeles, California, and the son of lyricist Sammy Cahn, Steve Khan took up the guitar when he was 20, having previously played piano and drums. He graduated from UCLA and moved to New York City, where he worked as a studio musician in pop, rock, jazz, and rhythm and blues, with such acts as Steely Dan, Maynard Ferguson, and Lou Rawls. He recorded a duet album with guitarist Larry Coryell and was a member of the Brecker Brothers band. In 1977, he toured with the CBS Jazz All Stars in Japan, and led a band called Eyewitness that featured musicians such as Steve Jordan, Anthony Jackson and Manolo Badrena. From the 1980s through to the present, he has become the foremost proponent of the guitar in Latin Jazz. With the releases of "Parting Shot"(2011); "Subtext"(2014); and "Backlog"(2016), he created what the role of the guitar could be in Latin Jazz. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.