Fluctuations / Daniel Humair, batt. Francois Jeanneau, saxo & fl. Henri Texier, cb

Musique audio

Daniel Humair, batt. Francois Jeanneau, saxo & fl. Henri Texier, cb

Edité par Owl , 1979

Type de document
Disque compact
Description physique
1 C-D (42mn) AAD + ENCART
Date de publication
1979
Auteurs
Humair, Daniel (1938-) - batteur, peintre. Batt.
Jeanneau, Francois (1935-) - saxophoniste. Saxo & fl.
Texier, Henri (1945-) - contrebassiste. Cb
Cote
1 HUM 80
Fonds
Adulte
Classification
Jazz
Genre musical
Jazz contemporain
Note
  • Enr. 1979
1 exemplaire disponible

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Biographie

Alanis Obomsawin, née le 31 août 1932, est une artiste américano-canadienne du Québec de la nation abénakise. Cinéaste prolifique et reconnue internationalement, elle réalise, produit et scénarise plusieurs documentaires avec l'Office national du film du Canada (ONF) sur la culture et l'histoire des Premières Nations. Le plus connu est sans doute Kanehsatake : 270 ans de résistance, le premier de quatre documentaires traitant de la crise d'Oka de 1990, qui remporte 18 prix partout dans le monde.

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Biographie

Alanis Obomsawin is a member of the Abenaki Nation and one of Canada’s foremost activist documentary filmmakers. Based in Montréal, Canada, she has directed 50 films with the National Film Board of Canada (NFB) that explore the lives and concerns of Canada’s First Nations, and has received some of the country’s highest awards, including The Order of Canada, the Governor General’s Award in Visual and Media Art, and most recently the 2017 Order of Montréal. Before establishing herself as a filmmaker Obomsawin began her artistic life as a singer and musician in the 1960s, as Indigenous artists from across North America were rallying together in new assertions of cultural identity, consciousness and political rights, calling for greater reckonings with oppressive colonial history. She was invited by Folkways to perform at Town Hall in New York City in the early ‘60s and spent most of that decade primarily identifying as a singer, channelling traditional First Nations songs hand-in-hand with original modern compositions. Obomsawin kept her musical output percolating alongside her burgeoning documentary film career, with performances at the legendary Mariposa Folk Festival among others. In the mid-1980s Canada’s national broadcaster (the CBC) invited Obomsawin to record an album; however, she was unsatisfied with these recordings and reclaimed the master tape, remixed the material, re-recorded the title track from scratch, and issued the ensuing Bush Lady album on her own private press in 1988 complete with her own artwork and liner notes. Lacking formal distribution – and with Obomsawin focused primarily on her documentary film career – only a portion of this pressing was sold at the time, the remainder occupying a closet in her Montréal home. The album has grown to become an increasingly legendary rarity ever since. Bush Lady is a unique and magical record by any definition. It’s an invaluable example of contemporary First Nations music that blends traditional folkways with modern composition. Amidst the broader and long-overdue resurgence of interest in modern Indigenous music – perhaps most notably culminating with the Grammy-nominated Native North America (Vol. 1) 3xLP set released in 2014 – Constellation is honoured to be working with this Canadian cultural icon to issue a remastered version of Bush Lady on audiophile 180gram vinyl and on CD for the first time. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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