Limpid as the solitudes / Félicia Atkinson, Jeffre Cantu-Liedesma, comp interp.

Musique audio

Félicia Atkinson, Jeffre Cantu-Liedesma, comp interp. ; Julien Carreyn, artwork

Edité par Shelter Press , 2018

Collaboration entre Félicia Atkinson et Jefre Cantu-Ledesma. Jeux de textures, de densités et d’espaces, entre field recording et electronica s’articule une sorte de paysage rêvé.

Type de document
Disque vinyle
Description physique
1 disque(s) microssillon(s); 30 cm. 1 encart
Date de publication
2018
Auteurs
Atkinson, Félicia. Compositeur. Interprète
Cantu-Liedesma, Jeffre. Compositeur. Interprète
Carreyn, Julien. Illustrateur
Cote
0 99.6 ATK
Fonds
Adulte
Classification
Chansons francophones, rock francophone
Genre musical
Electronica Drone Field recording
1 exemplaire disponible

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Musique audio - 2018 - Limpid as the solitudes / Félicia Atkinson, Jeffre Cantu-Liedesma, comp interp.

MLIS Discothèque/Vidéothèque Adultes | BAC ROUGE | 0 99.6 ATK | Disque vinyle | En rayon

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Biographie

Félicia Atkinson est une artiste et musicienne française née en 1981 à Paris. Elle est la cofondatrice de la maison d'édition Shelter Press, avec son compagnon Bartolomé Sanson. Elle a vécu à Paris, à Bruxelles (pendant 5 ans), dans un petit village des Alpes près d'Annecy (pendant 2 ans), à Rennes, et en Normandie.

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Biographie

please vist the official last fm page http://www.lastfm.fr/music/Felicia+Atkinson Felicia Atkinson is a French composer, artist and writer born in Paris in 1981. Her 10th solo album under her name, Space As An Instrument, will be out on Shelter Press during Fall 2024. She has played her electro acoustic music for piano voice and electronics in many places such as Atonal Festival , CTM festival, Unsound, Présences Électroniques, Le Guess Who or Rewire Festival. A tkinson is a polymath by nature, engrossed in a variety of daily artistic practices that nourish one another. In her garden, she performs the slow work of cross-species relationship building, cultivating an ideal space for introspection and further creation; many of the album’s vocal and electronic elements were recorded there. Poetry, which she prizes for its capacity to render the everyday tools of meaning-making more enigmatic, becomes folded into the music as well. She paints as often as time allows. One personal limitation Atkinson finds in painting, the rendering of perspective, has become one of her music’s defining characteristics. The vantage point of the listener is slippery and undefined, with sounds at once appearing gigantic and miniscule, distant and immediate. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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